You worked on that series as music director, but on THE ORIGIN you're the music producer. They said it felt unlike any of the music that came before. As a result, when people heard the album they said all the music was there from the beginning to the very end, and the stereo was great, and things like that. We also learned that the customers weren't children, so we felt the things we hadn't achieved with 'ZAMBOT 3,' we wanted to make a reality with 'GUNDAM.'īecause of that, even musically, the background music (BGM) of 'GUNDAM' was consciously recorded using what were then the newest recording systems. (Yoshiyuki) Tomino had been so careful about? How did they feel about it? We found out from the feedback. What age were the fans of this music that Mr. But after it had finished airing, it was decided to release an album, and as a result a lot of opinions came back to us from the customers. At first, we only released the main theme song of 'ZAMBOT 3' as a single, and we didn't have anything to do with the soundtrack. Was 'GUNDAM' a work that brought on a major revolution in terms of truly musical anime music? Fujita: The release of the 'GUNDAM' soundtrack album was influenced by the album sales for 'SUPER MACHINE ZAMBOT 3' (hereafter referred to as 'ZAMBOT 3') which was broadcast before it.
Fujita, when 'GUNDAM' was broadcast, you were a music director at King Records and you were helping to sell soundtrack albums.